Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Vervloet Francois
Interieur de la cathedrale Saint-Rombaut a Malines

ID: 31093

Vervloet Francois Interieur de la cathedrale Saint-Rombaut a Malines
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Vervloet Francois Interieur de la cathedrale Saint-Rombaut a Malines


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Vervloet Francois

Malines 1795-Venise 1872  Related Paintings of Vervloet Francois :. | Peasant Family with Animals (mk08) | Master Edward and Miss Mary Macro | Pitea (mk08) | Tod der Alkestis | Balletrepetitie |
Related Artists:
Jean-Baptiste Capronnier
(1814-1891) was a Belgian stained glass painter. Born in Brussels in 1814, he had much to do with the modern revival of glass-painting, and first made his reputation by his study of the old methods of workmanship, and his clever restorations of old examples, and copies made for the Brussels archaeological museum. He carried out windows for various churches in Brussels (including the Église Royale Sainte-Marie), Bruges, Amsterdam and elsewhere, and his work was commissioned also for France, Italy and England. At the Paris Exhibition of 1855 he won the only medal given for glasspainting. He died in Brussels in 1891.
MacDonald, Daniel
Irish Painter, 1821-1853
Jmw Turner
1775-1851 British landscape painter. The son of a barber, he entered the Royal Academy school in 1789. In 1802 he became a full academician and in 1807 was appointed professor of perspective. His early work was concerned with accurate depictions of places, but he soon learned from Richard Wilson to take a more poetic and imaginative approach. The Shipwreck (1805) shows his new emphasis on luminosity, atmosphere, and Romantic, dramatic subjects. After a trip to Italy in 1819, his colour became purer and more prismatic, with a general heightening of key. In later paintings, such as Sunrise, with a Boat Between Headlands (1845), architectural and natural details are sacrificed to effects of colour and light, with only the barest indication of mass. His compositions became more fluid, suggesting movement and space. In breaking down conventional formulas of representation, he anticipated French Impressionism. His immense reputation in the 19th century was due largely to John Ruskin's enthusiasm for his early works






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